In this series, Phua explores his feelings on technology and the internet age of information through slices of everyday life made into figurative works. Each piece contrasts and counterpoints the other, mirroring the ironies and absurdities of inhabiting an oversaturated virtual world.

This cognitive dissonance is further performed by its medium — the works are first sculpted in VR, then remeshed and painted on a tablet, then lit and composed on a 3D software, then finished on photo-editing software. In this way, the series is fully complicit in the very issues it attempts to critique.